I get a similar result to LR by applying the following modules
filmic (with preserve colors ticked)
tone curve
EDIT: I feel like as if these steps “unveil” what goes behind the scenes in LR. As a side note, it’s amazing how far I had to go with extreme luminance saturation in filmic to get those dark yellows. I’ve never used it like this before. It really seems that we’re not talking about “correct colors”, but “pleasant colors”, as @pk5dark stated before. Better put, what Adobe thinks “pleasant colors” are.