Interestingly, that was the least of the problems here.
The hierarchical structure of the modules with filmic at the end of the pixel pipe is logically structured and clearly comprehensible. The participants understood it very well.
The problem was the chronological order. For example, after the basic corrections were made, the question was how far to go with the exposure correction. If I brighten my main subject sufficiently, do I still have enough room for the contrasts? If I increase contrast even more, the highlights get overexposed and I am forced to compress with filmic dynamic range. But with additional compression I lose the contrasts again. Etc.