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I have the same version and opened it with neutral, default and then manually with the low iso film and low iso standard profiles and it looks nothing like that…no pink…I even turned off HLR and still I didn’t see that…I’ll go back and see if I can induce it but it looks pretty strong the way you presented it…I didn’t try with the DCP file …is that what you use for a camera profile??
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Thanks for looking!
Either the ‘Highlight recovery’ (all five options) or the ‘Clip out-of-gamut colors’ make the pink go away by turning the area to neutral (equal RGB). I don’t usually bother with either one but sometimes CR2 or CR3 raw files posted here are blown, less so my Sigma Foveon shots which I cull if blown.
As to color management, the default input profile is ‘Camera standard’ which is what I used.
The CR2 was opened by AMaZE.
I got what you saw in Art when I used the neutral profile and turned off hlr. I would have to go back and check but I wasn’t able to get that in RT even when I turned it off…funny…
Now checking…
Art with everything off including HLR
Turned on…as expected
RT
Neutral and HLR off or on were similar…
The setting hiding it with HLR off was gamut clipping… turn off the clipping and …
In the end I would normally not have seen it in either program as I always have the HLR turned on… but at least that explains why I was seeing something different from you…
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20240819_0272.CR2.arp (16.3 KB)
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This is my favorite so far, I think.
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Processed with darktable: disabled tone-mapping and wb at 5000k (20240819_0272.CR2.xmp), after a film simulation with agx-emulsion and data from kodak ektachrome 100.
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