I had a bit of fun here… just because. RT with basics of Game changer and GHS. I’d be pleased to see other interpretations… just for fun.
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Went for a variation with extra emphasis on the flower petals and color nuances in the green.
SilverNode v0.7.1-dev100.
Thank you for your version… Love it! 
Welcome to the community @mcourteaux
Welcome @mcourteaux silvernode looks interesting, but I do not see a link to source code or license on the home page: https://silvernode.io/
Is this FOSS?
Hi! Thanks! It’s not open source, but it’s currently still free: you can download it and play with it. Eventually I’ll offer licenses, but this development versions are free to play around with.
I thought it might be interesting to have a look at @CyberTimon’s RapidRAW again. Nice to see steady progress.
DT 5.4 AgX I used the sigmoid default preset supplied by kofa and also boosted the reds in the AgX primaries tab.
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Thanks, @SCHA. This is an excellent sample to try out the new red-green-blue tools in Colour Appearance and Lighting and a few others. Really wanted to pop the snowdrops and dampen the browns.
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What happened to the petals? They are gray on the tips.
Sadly not being FOSS doesn’t really follow what we’re trying to achieve here on this forum. While its nice that you’re implementing and exploring raw processing, we focus on Free Software to make it accessible to anyone who wants to follow along. Closed source software, even if it is without cost, impedes our curiosity and degrades the community at large.
Good luck!
When I dimmed and desaturated the dead grasses I selectively dimmed and desaturated the reds using a global tool (Colour Appearance & Lighting). Since the flower tips were light gray/white in the original, taking away the reds changed the tips far too much. I’m not sure how else I could selectively alter the reds while keeping the whites vibrant. Thanks for the question, though; it’s got me looking into this further.
Edit: Here’s another attempt. This time, I took my own advice and left the reds alone in Colour Appearance & L (CAL) and added a CAM16 spot to isolate the browns and dim/desat that way. Seems to have worked out better.
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