Oh gee, you struck a nerve here. In the shooting I’ve done this past year, my nemesis has been extreme blues in stage lighting. In fact, I’d just decided this morning to dig into the dcamprof gamut compression switches to find a decent camera profile to specifically address that part of the spectrum, but I’m going to digest your missive along with that to incorporate such into my “trade space”. From a workflow standpoint I think I’d rather deal with such on a per-image basis with a rawproc tool than to mess with it earlier in a camera profile… You’re also pulling me to start using PhotoFlow in my workflow…
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