Yep, still.
I’m not using software that has sophisticated color manipulation, and that’s what this image seems to need. With global tools, if you deal with the yellowish green foliage, it’s at the expense of the sky…
I see this a bit in my Nikon-captured greenery; the matrix camera profiles yield more yellowish greens than the recent LUT profiles I’ve been able to make from camera-measured spectral response data. I really think this has to do with characterizing more precisely each channel, so that the high red band doesn’t mix too much with the mid-band green…