Exactly, the mask exposure compensation does an on-demand rescaling, so tone equalizer can deal with anything at the input because the mask will be scaled internally, and the core operation is a simple pixel multiplication, so the range doesn’t matter.
Thanks a lot. This helps me to understand how to use Tone Equalizer. If I push to the right in the exposure module and highlights get clipped, my luminance histogram in the tone equalizer will be clipped as well without exposure compensation of the mask, even if I did tone mapping in filmic, because it comes later in the pipe.
Slowly getting there…
Yes, I have been, but it seems to change the character of the image in too many other ways, not just blur reduction. I don’t always like that effect. Yes, the default LC doesn’t change the ‘look’ too much, but it barely touches the appearance of blur either. So I turn it up a bit, and … too may other aspects of the ’look’ start changing.
Maybe there is a way to use LC that clears up blur without giving a ‘cranked-up LC’ look?
That all depends on what sort of blur you want to get rid of (haze, lens, demosaicing, …). For lens blur, there is no deconvolution module for now.
Also, avoid pixel-peeping too much. Exporting a 24 Mpx raw at 4K resolution means you compress 8 input pixels into one output pixel, so evaluating the sharpness of the picture zoomed-in at 100% doesn’t make much sense.
Contrast equaliser was suggested, and I am looking at it now. It is pretty complex — I will have to study it — but its ‘sharpen’ preset looks promising.
The blur I am keen to address is from demosaicing.
I too was looking for a replacement to sharpen and I was also redirected to using contrast equalizer (CE). I am now using routinely softer versions of the presets “sharpen” and “clarity” as straight replacement to sharpen and local contrast modules. By softer version I mean that I reduce their opacity to 50/60%. You may want to have a look at those presets.
The sharpen preset in CE with reduced opacity does very little zoomed out and you only see the effects at 100%, which is what you’re after I think.
@aadm@T_N_Args You may know but many don’t that the last dark bar sets the limit of the finest detail in a particular image that we can see and it changes with the zoom level that you are at. So any curve changes above that actually have no effect (see around 15 min in the video). Once I discovered this I was able to lift the luma curve at the edge of this bar to enhance fine detail and get some really fine sharpness. As you mention I think the presets are a bit too harsh so if I do a quick application of one I usually knock it back…also I have found bumping up the middle detail can give a nice effect as well maybe as high as the first horizontal scale mark with a lift at 2 of the adjacent markers… This is an old video but a good one for the equalizer… https://www.youtube.com/watch?v=zzVXK4eAM5E
@aadm@T_N_Args Try to use bilateral verson of LC…often I like it better …seems sharper and doesn’t seem to brighten the highlights in the detail as does the default…in fact bilateral with a really low coarseness…and contrast produces some nice find detail enhancement…
Les modules qui travaillent en RGB linéaire et réalisent des opérations non-linéaires mais respectueuses de la chrominance (à condition d’activer le mode ad-hoc ) sont :
Ad-hoc is latin for “designed specifically for that purpose”. RGB levels and curves can preserve the chroma provided you enabled their “chroma preservation” mode.
Colour decision list, aka slope/offset/power mode in color balance.