That is one application of many. It depends on what the CLUT is designed for specifically.
This and the fact that dt allows more than one instance of a module makes it fun.
Agree, but multiple instances can be put is a style, while module reorder cannot
Have you used the default Sony base curve? Which saturated colors give negative values? Also I have seen that the WB of the test image is 6700 where normally the test chart should be shot at 5000/5500. I also use Capture one 12 and the default generic profile gives me yellowish tint skin so I have done the profiles using test charts from imagine resource for A6300 you can use this link https://www.imaging-resource.com/PRODS/sony-a6400/sony-a6400A7.HTM It gives many test shots at different ISO which can give a better understanding of the profile. In my case I am satisfied with the results I get from the profile, your mileage may very as per your individual color choice.
I wanted to send you a snapshot, but I can’t reproduce the RGB negative values right now. Maybe it has been just a glitch. Please disregard my comment
Filmic is not an artistic tone adjustment, it’s a tone mapping fr think it should be possible to save a custom module order in a .dtstyle.om scene to display dynamic range. You can use it as dumb S curve, but it’s not how the rest of the pipeline is supposed to be used (it can work, but you will miss the benefits of the decoupled luma/chroma, display-agnostic, editing).
No, module orders can’t be shared in dtstyles (yet).