Okay, so being I’m in Colorado, let me help you with Colorado…
The state is basically flat in the eastern half, so plan on driving through that to get to that vertical topography you crave. It’s also a quite dry place, so subjects with water are sparse. Yep, we have rivers and they’re photogenic, but IMHO nothing like the wet places like the Smoky Mountains.
Summertime is when the most of Colorado is accessible. Winter snows are pretty, but they can keep you from getting to the really grand places. Fall colors are mostly comprised of yellow aspen, with scatterings of red from the occasional deciduous tree. That’s coming up, nominally mid-September, but you need to find and follow the fall colors predictor websites. Spring brings the puffy cumulus clouds in most places, wonderful accent to most any scenery.
I’ll recommend one train ride if you’re just going to do one, Durango & Silverton. After Rockwood, you’re in the grand verticals of the Animas River gorge, and towering stuff all the way to Silverton. I would definitely include this in a Colorado photography itinerary, even if you’re not partial to trains. Plenty of quintessential Colorado at every turn. My personal favorite, Cumbres and Toltec, has the most variety of scenery, but both terminuses are off the beaten path and the grand stuff is intermittent. Gawd, if there are C&TS folk reading this, I’m gonna catch hell… ![]()
The greatest concentration of grandness is Rocky Mountain National Park, north of Denver. Never been there myself, but pictures bear this out. Probably crowded in the summer, and if like other national parks, you might need to book an entrance time in advance. Welcome to the Disney-ification of Colorado…
And, as with all locations, the light is the thing. Morning before-during-after sunrise and sunset light and color things in ways you just don’t get at noon.
Just to whet your appetite, here’s a ‘grab-landscape’ taken from the moving Durango & Sliverton train, from a 2016 road trip we did through Durango in my JPEG days…




