I did a bit of cheating here and used a mask to make some sort of basic cut using levels. Local contrast does help a lot and filmic added to my final push to get some sort of black.
_CTW1680.nef.xmp (22.3 KB)
I did a bit of cheating here and used a mask to make some sort of basic cut using levels. Local contrast does help a lot and filmic added to my final push to get some sort of black.
With another image: Sunset in Corsica
dt 3.5
P1150686_Pointe de la Parata_18.RW2.xmp (30.5 KB)
I would look at that image as being quite different and don’t think that the same type of impression would be gained.
This one was a bit of a battle and it still isn’t quite how I wanted it, but here’s my attempt in darktable 3.5 (master):
Lots of fumbling about here as well and probably I’ve thrown too many different things at it. Fumbling about is basically my learning process though.
This was fun! Posting as a screenshot, so the curve I used to “bandpass” the tree is visible for consideration:
There’s a lot of control available in that curve beside the bandpass, I kept it linear but one could selectively manipulate the contrast of different levels, tolerant to such is monochrome.
I also toned it with a single-channel curve, blue, go for the cold look…
Your fumblings are worthwhile; I like yours a lot…
Not the same type as the OP, but more along the lines of
Although, no where near as refined as Chritchley’s editing technique, not to mention his skill as a photographer.
_CTW1680_02.nef.xmp (50.5 KB)
The winding white road is important for the composition, so I tried to keep it softly emphasized. Not at home with the masking tools yet.
The second one I really like.
@epeeist This is an interesting subject. Thanks for sharing. I will definitely work on it when I find the time.
Wow, I like Jonathan’s work a lot. Thanks for the introduction.
Here’s my try on your pic. I used Darktable v3.5 and sharpen in GIMP.
I tried to keep the gradation in the trunk of the tree.
With Filmulator: