Set the contrast parameter to the following value: b / 2.44 * log(w/b + 1), where w and b are the absolute values of the white and black points as set in filmic. For example, for filmic’s default values (w=4.40, b=7.75) we have to set contrast to 1.43.
Observe in filmic’s “Ansel Adams zones plot” that the two vertical lines around the gray point are now parallel.
We have just set what I call “midtone contrast” to one. Setting it to, say, 1.3 would require multiplying the result of the above expression by this value.
My point is that I feel that this “midtone contrast” is a more natural parameter than what filmic calls contrast currently. When “midtone contrast” is one, said lines are parallel. When it’s greater than one, the lines open up V-like, and vice versa.
In contrast ;-), currently when the contrast parameter is fixed, the two lines around middle gray in the “Ansel Adams zones plot” can be converging, or diverging, or parallel, depending on other parameters.