Yikes, I didn’t realize you were composing a response! 
I certainly wouldn’t have closed the topic at that point if I knew it. I’m very sorry! Please don’t misconstrue this as directed at you posting personally, just that sometimes it helps to walk away from a topic for a little bit to let things cool off (I absolutely sucked at doing this in the past, and it drained way more energy from me than it should have).
This is miles away from how I want you to feel, and I hope you can believe me that it’s literally the opposite of how I want anyone to feel here (mostly). 
Your contributions are appreciated!
So:
- I’m sorry if I cut you off while responding - I didn’t mean to. That’s my fault, and it was not intended in any way to reflect on you personally - just a mistake on my part.
- I would love to continue a discussion on the Graham shoot, or the 500 men project, or even better, @Stampede’s current work with abstract legs, which I think is neat.
Once Nazi’s are involved, the thread has likely veered too far away from the original intent.
Would you be willing to start a new thread about the Judy Dater image where we can start discussing it?
I’ll start a new thread on the Sorrenti shoot and maybe try to document my reasons for choosing that particular image from the set. I’d love to hear what others liked and what their thoughts are.
I can try to start a @Stampede abstract legs topic as well, but I haven’t quite put my finger on the things I like about it yet (though I do like them).