Colors and saturation look fine to me. I have to inspect your sidefile.
You are lucky here to have that smaller sign with the white border being in the path of the light. In this case though you might actually not want a neutral wb but you can use it as a starting point. In a photo like this I would wb using CC on that white border and then change the drop down to custom. Then using the chroma slider remove some of the correction to bring back just enough color cast to give the light the right feeling. Adding chroma makes the correction stronger if DT doesn’t add enough but usually I find it can be a bit neutral or cold in a photo in bright sunlight so reducing the correction slightly can bring back some nice lighting… I actually have used this with skin as well. Sometimes the skin has a cast created by the lighting. I will use the picker on the skin which neutralizes it and then I will take the chroma down bringing back the skin color to taste without as much cast. Sometimes this leave the global lighting just right esp if you don’t have a good neutral element in the photo…it may not be a technically correct approach but it gives a nice result to my taste…
Many thanks for explanation.
My attempt at something somewhere between realistic and graded with a red tint. Forgot to turn off night mode so hopefully the colours are alright
ND800_0005626_anonymized.NEF.xmp (11.3 KB)
I just like that there is a square and a bus stop named after Dietrich Bonhoeffer!
Beautiful image.
This is the first edit I’ve really tried in several weeks. Maybe I did ok. dt 3.6
ND800_0005626_anonymized.NEF.xmp (8.6 KB)
I tried to stick to your original image as close as possible, without spending too much time on it though.
You will be able to apply the full extent of the XMP settings only in darktable 3.8 (out in a big month).
ND800_0005626_anonymized.NEF.xmp (38,4 Ko)
Here is my take using RawTherapee Dev and this LUT converted for use in RT.
(Image uploaded full res to showcase clarity)
ND800_0005626_anonymized-1.jpg.out.pp3 (16.2 KB)
Thanks to everyone of you for your edits.
To wrap things up, I am posting an updated comparison for all the images that were posted at full size or that a came with a Darktable 3.6 settings file.
I cropped with
magick convert input.jpg -crop 400x400+4374+2079 crop1.jpg
magick convert input.jpg -crop 400x400+4868+2014 crop2.jpg
magick convert input.jpg -crop 400x400+3480+1860 crop3.jpg
magick convert input.jpg -crop 400x400+3206+4132 crop4.jpg
Concerning the clarity of the details we have:
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reference, Capture One 11:
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Thomas_Do, Darktable 3.6:
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Jade_NL, RawTherapee:
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CarVac, (FIlmulator and RT):
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age, Darktable 3.6:
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gaaned92, ART:
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priort, ___:
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Jean-Marc_Digne, Darktable 3.6:
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arctic, Darktable 3.6:
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noahwc, Darktable 3.6:
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Tim, Darktable 3.6:
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Christian-B, Darktable 3.6:
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Jose_Figueres, Darktable 3.6:
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chaimav, RawTherapee:
The details in 5 (@age) are good, but they were tuned with the sharpen module which is discouraged in the scene-referred workflow.
Other edits are promising too, but I haven’t yet looked into the settings.
And of course, I can’t wait for Darktable 3.7 to ship:
As for the yellows we have:
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reference, Capture One 11:
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Thomas_Do, Darktable 3.6:
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Jade_NL, RawTherapee:
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CarVac, (FIlmulator and RT):
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age, Darktable 3.6:
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gaaned92, ART:
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priort:
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Jean-Marc_Digne, Darktable 3.6:
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arctic, Darktable 3.6:
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noahwc, Darktable 3.6:
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Tim, Darktable 3.6:
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Christian-B, Darktable 3.6:
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Jose_Figueres, Darktable 3.6:
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chaimav, RawTherapee:
Hey Todd, your edit features some halos in the blue of the sky along the edges of the trees. I had the same issue in Darktable and found that the Chromatic Abberation module is to blame.
When I turn it off, the halos disappear (and sharpness is gained).
ND800_0005626_anonymized.jpg.out.pp3 (14,3 KB)