A Q&A with Photographer Riley Brandt


A Q&A with Photographer Riley Brandt

On creating a F/OSS photography course

Riley Brandt is a full-time photographer (and sometimes videographer) at the University of Calgary. He previously worked for the weekly (Calgary) local magazine Fast Forward Weekly (FFWD) as well as Sophia Models International, and his work has been published in many places from the Wall Street Journal to Der Spiegel (and more).

![Riley Brandt Logo|244x46](upload://5928zbBqu9PNZew5qIjq5LLEVJy.png)

He recently announced the availability of The Open Source Photography Course. It’s a full photographic workflow course using only free, open source software that he has spent the last ten months putting together.

Riley has graciously offered two free copies for us to give away!
For a chance to win, see this blog post.

![Riley Brandt Photography Course Banner|940x345](upload://grCVQ6m2NVB19lTnDIPasBCkspO.png)

I was lucky enough to get a few minutes of Riley’s time to ask him a few questions about his photography and this course.

A Chat with Riley Brandt

Tell us a bit about yourself!

Hello, my name is Riley Brandt and I am a professional photographer at the University of Calgary.

At work, I get to spend my days running around a university campus taking pictures of everything from a rooster with prosthetic legs made in a 3D printer, to wild students dressed in costumes jumping into freezing cold water for charity. It can be pretty awsome.

Outside of work, I am a supporter of Linux and open source software. I am also a bit of a film geek.

![Univ. Calgary Prosthetic Rooster|640x419](upload://eidHRMfeIWxWlGqzOjUeJj23Ad6.jpeg "Gentlemen, we can rebuild him. We have the technology.")
[ed. note: He’s not kidding - That’s a rooster with prosthetic legs…]

I see you were trained in photojournalism. Is this still your primary photographic focus?

Though I definitely enjoy portraits, fashion and lifestyle photography, my day to day work as a photographer at a university is very similar to my photojournalism days.

I have to work with whatever poor lighting conditions I am given, and I have to turn around those photos quickly to meet deadlines.

However, I recently became an uncle for the first time to a baby boy, so I imagine I will be expanding into new born and toddler photography very soon :)

![Riley Brandt Environment Portrait Sample|960x592](upload://tDEDIkWCTyxKqWPDJHZFnMUIa7N.jpeg)
Environmental Portrait by Riley Brandt

How long have you been a photographer?

Photography started as a hobby for me when I was living the Czech Republic in the late 90s and early 2000s. My first SLR camera was the classic Canon AE1 (which I still have).

I didn’t start to work as a full time professional photographer until I graduated from the Journalism program at SAIT Polytechnic in 2008.

What type of photography do you enjoy doing the most?

In a nutshell, I enjoy photographing people. This includes both portraits and candid moments at events.

I love meeting someone with an interesting story, and then trying to capture some of their personality in an image.

At events, I’ve witnessed everything from the joy of someone meeting an astronaut they idolize, to the anguish of a parent at graduation collecting a degree instead of their child who was killed. Capturing genuine emotion at events is challenging, and overwhelming at times, but is also very gratifying.

It would be hard for me to choose between candids or portraits. I enjoy them both.

![Riley Brandt Portraits|940x715](upload://6w7hxhwhV76cKiOXk9J4KWTjpcf.jpeg)
Portraits by Riley Brandt

How would you describe your personal style?

I’ve been told several times that my images are very “clean”. Which I think means I limit the image to only a few key elements, and remove any major distractions.

If you had to choose your favorite image from your portfolio, what would it be?

I don’t have a favorite image in my collection.

However, at the end of a work week, I usually have at least one image that I am really happy with. A photo that I will look at again when I get home from work. An image that I look forward to seeing published. Those are my favorites.

Has free-software always been the foundation of your workflow?

Definitely not. I started with Adobe software, and still use it (and other non-free software) at work. Though hopefully that will change.

I switched to free software for all my personal work at home, because all my computers at home run Linux.

I also dislike at lot of Adobe’s actions as a company, ie: horrible security and switching to a “cloud” version of their software which is really just a DRM scheme.

There many significant reasons to not run non-free software, but what really motivated my switch initially was simply that Adobe never released a Linux version of their software.

What is your normal OS/platform?

I guess I am transitioning from Ubuntu to Fedora (both GNU/Linux). My main desktop is still running Ubuntu Gnome 14.04. But my laptop is running Fedora 21.

Ubuntu doesn’t offer an up to date version of the Gnome desktop environment. It also doesn’t use the Gnome Software Centre or many Gnome apps. Fedora does. So my desktop will be running Fedora in the near future as well.

![Riley Brandt Summer Days|960x470](upload://nRqJ3XkI3Mynf2iSSw3B8YlpT73.jpeg) ![Riley Brandt Summer Days|960x598](upload://sjKrqfZn025J80FfTQOOS547Ntf.jpeg)
Lifestyle by Riley Brandt

What drove you to consider creating a free-software centric course?

Because it was so difficult for me to transition from Adobe software to free software, I wanted to provide an easier option for others trying to do the same thing.

Instead of spending weeks or months searching through all the different manuals, tutorials and websites, someone can spend a weekend watching my course and be up and running quickly.

Also, it was just a great project to work on. I got to combine two of my passions, Linux and photography.

Is the course the same as your own approach?

Yes, it’s the same way I work.

I start with fundamentals like monitor calibration and file management. Then onto basics like correcting exposure, color, contrast and noise. After that, I cover less frequently used tools. It’s the same way I work.

The course focuses heavily on darktable for RAW processing - have you also tried any of the other options such as RawTherapee?

I originally tried digiKam because it looked like it had most of the features I needed. However, KDE and I are like oil and water. The user interface felt impenetrable to me, so I moved on.

I also tried RawTherapee, but only briefly. I got some bad results in the beginning, but that was probably due to my lack of familiarity with the software. I might give it another go one day.

Once darktable added advanced selective editing with masks, I was all in. I like the photo management element as well.

![Riley Brandt Portraits|960x470](upload://9uB4McuPZChnh9nhTLSMRGkwqPL.jpeg)

Have you considered expanding your (course) offerings to include other aspects of photography?

Umm.. not just yet. I first need to rest :)

If you were to expand the current course, what would you like to focus on next?

It’s hard to say right now. Possibly a more in depth look at GIMP. Or a series where viewers watch me edit photos from start to finish.

It took 10 months to create this course, will you be taking a break or starting right away on the next installment? :)

A break for sure :) I spent most of my weekends preparing and recording a lesson for the past year. So yes, first a break.

Some parting words?

I would like to recommend the Desktop Publishing course created by GIMP Magazine editor Steve Czajka for anyone who is trying to transition from Adobe InDesign to Scribus.

I would also love to see someone create a similar course for Inkscape.

The Course

![Riley Brandt Photography Course Banner|640x235](upload://grCVQ6m2NVB19lTnDIPasBCkspO.png)

The Open Source Photography Course is available for order now at Riley’s website. The course is:

  • Over 5 hours of video material
  • DRM free
  • 10% of net profits donated back to FOSS projects
  • Available in open format (WebM/VP8) or popular (H.264), all 1080p
  • $50USD

He has also released some preview videos of the course:

From his site is a nice course outline to get a feel for what is covered:

Course Outline

Chapter 1. Getting Started

  1. Course Introduction
    Welcome to The Open Source Photography Course
  2. Calibrate Your Monitor
    Start your photography workflow the right way by calibrating your monitor with dispcalGUI
  3. File Management
    Make archiving and searching for photos easier by using naming conventions and folder organization
  4. Download and Rename
    Use Rapid Photo Downloader to rename all your photos during the download process

Chapter 2. Raw Editing in darktable

  1. Introduction to darktable, Part One
    Get to know darktable’s user interface
  2. Introduction to darktable, Part Two
    Take a quick look at the slideshow view in darktable
  3. Import and Tag
    Import photos into darktable and tag them with keywords, copyright information and descriptions
  4. Rating Images
    Learn an efficient way to cull, rate, add color labels and filter photos in lighttable
  5. Darkroom Overview
    Learn the basics of the darkroom view including basic module adjustments and creating favorites
  6. Correcting Exposure, Part 1
    Correct exposure with the base curves, levels, exposure, and curves modules
  7. Correcting Exposure, Part 2
    See several examples of combining modules to correct an image’s exposure
  8. Correct White Balance
    Use presets and make manual changes in the white balance module to color correct your images
  9. Crop and Rotate
    Navigate through the many crop and rotate options including guides and automatic cropping
  10. Highlights and Shadows
    Recover details lost in the shadows and highlights of your photos
  11. Adding Contrast
    Make your images stand out by adding contrast with the levels, tone curve and contrast modules
  12. Sharpening
    Fix those soft images with the sharpen, equalizer and local contrast modules
  13. Clarity
    Sharpen up your midtones by utilizing the local contrast and equalizer modules
  14. Lens Correction
    Learn how to fix lens distortion, vignetting and chromatic aberrations
  15. Noise Reduction
    Learn the fastest, easiest and best way to clean up grainy images taken in low light
  16. Masks, Part one
    Discover the possibilities of selective editing with the shape, gradient and path tools
  17. Masks, Part Two
    Take you knowledge of masks further in this lesson about parametric masks
  18. Color Zones
    Learn how to limit your adjustments to a specific color’s hue, saturation or brightness
  19. Spot Removal
    Save time by making simple corrections in darktable, instead of opening up GIMP
  20. Snapshots
    Quickly compare different points in your editing history with snapshots
  21. Presets and Styles
    Save your favorite adjustments for later with presets and styles
  22. Batch Editing
    Save time by editing one image, then quickly applying those same edits to hundreds of images
  23. Searching for Images
    Learn how to sort and search through a large collection of images in Lighttable
  24. Adding Effects
    Get creative in the effects group with vignetting, framing, split toning and more
  25. Exporting Photos
    Learn how to rename, resize and convert you RAW photos to JPEG, TIFF and other formats

Chapter 3. Touch Ups in GIMP

  1. Introduction to GIMP
    Install GIMP, then get to know your way around the user interface
  2. Setting Up GIMP, Part 1
    Customize the user interface, adjust a few tools and install color profiles
  3. Setting Up GIMP, Part 2
    Set keyboard shortcuts that mimic Photoshop’s and install a couple of plugins
  4. Touch Ups
    Use the heal tool and the clone tool to clean up your photos
  5. Layer Masks
    Learn how to make selective edits and non-destructive edits using layer masks
  6. Removing Distractions
    Combine layers, a helpful plugin and layer masks to remove distractions from your photos
  7. Preparing Images for the Web
    Reduce file size while retaining quality before you upload your photos to the web
  8. Getting Help and Finding the Community
    Find out which websites, mailing lists and forums to go to for help and friendly discussions

All the images in this post © Riley Brandt.

This is a companion discussion topic for the original entry at https://pixls.us/articles/a-q-a-with-photographer-riley-brandt/

I’ve had a look at the three samplers, what Riley has going for him, is his clear and easy way to present a tutorial.
Well worth a look.
BTW Pat, a good and interesting Q&A,


Thanks! :blush:
This was my first go at coming up with some questions that would be worth reading (it’s much harder than you’d think!). So I’m glad it was at least interesting to read.

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Shane Milton has a Q&A with Riley on his You Tube channel, he also has some darktable tutorials :smile:


I saw this when @RileyB initially posted it over on google+. It’s fun to watch and listen to, even if I feel that Shane’s interviewing style could use a little work (it feels a bit stilted and stiff). Riley is fun to watch because he’s animated and interesting.


Reading again this article, I must add that THERE IS a course for mastering Inkscape, but in spanish: “Logo a Logo”, by Joaclint:


It’s a little old now, but very well done and with example files to work with.

For Logo creation, this heree is alos a good adress.


There is not much about why he is doing it the way hes doing it, but to learn some good technics its quite good.
This channel is for beginners good to.

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I’ll have to check out the photo management elements in darktable. Can it be used as a lightweight DAM?

I dislike the renaming files part of the workflow. I strongly believe that metadata should take priority, filenames are irrelevant.

My other pet peeve, of course, is that MWG Guidelines seem to be ignored. Again.

Metadata Working Group Guidelines

In what way are they being ignored? Not sure which thing you’re referring to specifically.

IPTC is specifically mentioned in the workflow, but no mention of following MWG Guidelines to map the differing metadata standards. No offence, as I said it’s just a pet peeve of mine.

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MWG vs JEITA/CIPA. Some parts don’t match, e.g. the comment and description field intentions, causing much trouble, which I’ve reported extensively about in a ping-pong between Exiv2 and digiKam.

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My conclusion is that MWG is what everybody has agreed to do in public. At home, they each still do their own thing.

Is there a link to that discussion? I’d be interested in reading it as I have some minor involvement in both of those projects.


Ah yes, issue 985. I remember that now. My conclusion remains. Adobe is part of the MWG. Through those guidelines, Adobe and the other members agreed that:

Description defines the textual description of a resource's content. 
Also known as "user comment”, "caption”, "abstract” or "description”. 
Exif ImageDescription, IPTC Caption, and XMP (dc:description) are mapped together.

This makes sense, as the words “description” and “title” are not synonyms. MWG Guidelines are silent on the “title” tag.

I love this guy! He has been quite helpful to me while brushing up on Inkscape.


[quote=“asp, post:8, topic:264, full:true”]
I’ll have to check out the photo management elements in darktable. Can it be used as a lightweight DAM?[/quote]

I would say so, though I don’t know much about DAM. You can create collections based on multiple criterion, and tag images. So far I’ve been using tags like ‘person:david’.

I tend to agree.

Let us know if you still feel the same way when you’ve got hundreds if not thousands of duplicate file names among 100,000+ source files, and you have already iterated through more than one way of going about your DAM as the years have rolled by.

Do you know about hierarchical tags? If you are using “person|david” instead of your tag then the tag “david” will be a leaf in a hierarchical tree ”root-person-david”. That way you will be able to filter for all persons or for “david” alone or for the whole path “root-person-david”. The vertical bar “|” is used as separator between branch levels.