For various reasons, I flip-flop between darktable and Capture One for my editing.
At this moment, I find it most likely that this change in pricing structure is mostly a miscommunication: nothing of substance is actually changing with Capture One, but they -once again- managed to offend their community needlessly with a terribly misleading message.
That said, if this actually is the end of practical standalone licensing for Capture One, I’ll be in a bit of a pickle. Subscription software is not an option for me.
Which makes me wonder, though, why do I have such a strong reaction to subscription software? I tried hard to figure out that question yesterday. Realistically, €180 a year is relatively reasonable price for the software. Certainly something I could pay with ease if I wanted to.
I think what it comes down to for me is not the cost of ownership itself, but the migration cost. I like to flip-flop between darktable and Capture One. Hopefully, this will eventually swing fully towards darktable, but I recon there will always remain an occasional use case for an alternative raw editor — perhaps because there’s an itinerant bug in darktable, perhaps for inspiration, perhaps out of boredom. At the moment, this second editor is Capture One, even if otherwise rarely used. But a subscription would make that use case too expensive.
Crucially, a subscription demands a definite end to your usage. You can’t slowly drift off and use it less and less. Once you stop paying, you can’t use it any longer, it’s gone. I think this is the killer for me. If Capture One makes product ownership impractical in the future, I’ll have to look for a new alternative editor.
Perhaps next year, I’ll check out DxO, then the one remaining commercial raw editor with a reasonable rendering engine (unlike Skylum, ON1, Silkypix, Zoner, X6) and standalone pricing (unlike Adobe, Capture One).