For me, the first stage of a critique is to examine the elements without judgement. From that we get associations and meanings.
The OP image is full of human interest. The scene is entirely constructed by humans. The focus is on the red table and two chairs. They are red, which pulls them towards the front of the image. The are off-centre. To the right the image fades to out-of-focus darkness. Above we have a sky-blue sign, with an icon representing distant mountains, captioned “Kebab, gozleme, pide, & burger”. To me, this is a mystery, because I am lousy at non-English languages. I have no idea what “gozleme” or “pide” is. Another cryptic (to me) sign is “Snowy mountains cobbler”.
Above the sky-blue “kebab” sign is a ceiling, so perhaps this is a shopping arcade. The ceiling seems anomalous, a man-made structure that encloses this sky and the entire environment.
Below the “kebab” sign is a box that I read as an air-conditioning unit, another reminder that we are in a man-made world, where even the air must be processed.
On the ground behind the chairs is something white. Trash? A discarded napkin? A newspaper? I don’t know.
In front of the chairs are what might be a couple of dead leaves, the only signs of real nature I can detect. The pavement is essentially desolate, fading to darkness, marked by a clearly man-made grid.
Through the window we see what might be a fridge display with blue lighting, surrounded by yellow, and these are reflected in the pavement at the bottom of the picture.
The yellow and blue of the cafe and sky-blue sign, and red furniture, provide the only lightness and colour in the image. They occupy an inverted “L” shape. The bottom-right is dark and colourless, also with a perspective that vanishes to a point outside the image.
The inverted “L” creates a weight to the top-right, creating an unbalanced feeling, reinforced by the “snowy mountains cobbler”.
The table and chairs are set out for two people. But there are no people. This image is about the absence of people. The scene does not look inviting. I wouldn’t want to sit there, on a stage, illuminated by the light from the cafe, and staring out into the gloom of this scene while waiting for the sky to fall on me.