Yeah, that “file list”… I’ve gone over the settings a couple times but I guess I just missed the “file list”, because there was no list to speak of. Apart from the NEF, there was nothing there, checked or unchecked. I probably removed all the other extensions years ago.
Thanks for the info on the DNG. I’ve been reading up on it myself, since, now, I have to deal with the format on a daily basis. It’s nice that RT supports it as much as it does, which allows me far greater flexibility than LR.
For what it is, the main camera module on my phone isn’t terrible but it’s not that great either, by today’s phone’s standards. It does produce weird colors. The palette is all over the place. I actually do see myself investing in a solution which would allow me to create custom profiles but only because I’ll be able to use it to profile my future phones (and cameras), as well.
I work in a color-managed environment, so, for now, I should be able to tweak the colors “by sight” and save those adjustments as a preset. I know, it’s not ideal but it’s better than not doing it at all.
My real problem with this camera is the atrocious vignetting. I was hoping to address it, using flat-fields in RT, however, from what I’m seeing… The jury’s still out but I might have to just wing it.
A couple of quick questions (so I won’t have to start another thread):
DNG files are supposed to contain all the “develop” settings in them, not in a sidecar file. At least that’s how it is in Lightroom. From what I’m seeing, RT does not write anything to the DNGs but rather, it saves everything in the pp3 files (please correct me if I’m wrong).
Now, what happens when a DNG image file is imported to Lightroom and some adjustments are applied to it (and saved in the file as a set of instructions), does RT simply ignore those and load the image in its “untouched” form, or does it use those “settings” as a starting point? In RT, I want my DNGs to be as close to the original capture as possible (with no stupid sharpening or noise reduction).
Please advise.