I don’t know if I’m happy with how this came out in the end. Have restarted from scratch a few times and cannot seem to get a good result. I had hoped to get better details, maybe too much too ask for an in-the-dark noisy 6400 ISO shot?
So, I’ll give you a shot at this if you are interested. Very curious how this one will be tackled by others.
The main thing I noticed, based on both @age’s and @sls141’s edits, is the difference in white balance. Both warmer and I think, in the end, a better base to build upon then my settings even though they are a tad too warm for my taste.
I really have to have a much better look at the global tonemap module used by sls141, that module still eludes me.
At the moment I like age’s colour version and sls141 B&W versions best.
Early morning, not night, so the sky can become a little brighter. Some of the edits (incl. the original) suppressed the rain a little too much for the picture title - tuned noise reduction for enough detail at the rain drop traces. I did find the tone equalizer useful for some more detail in the dark parts. One could smooth out the sky more with a drawn+parametric mask.
Yes. The rain, or visible lack thereof in my edit was one of the issues I had. I kept running into increasing sharpness would also increased noise and denoise would negate the increase in sharpness…
I’ll have a look at how you got this detail to show up.
I’m not sure about the lighter sky: This was one very dark rainy morning, around or not very much after official sun-up. Artistic interpretation
I was also very interested in keeping visible the rain, and giving the feeling that the sky was getting lighter.
And finally, being a high contrast image, I have enhanced the highlight areas. Mostly to make it look how I imagine I would have seen the scene in real life.
Nice crop and although not as warm as some of the others I kinda like this one. I can almost feel the cold wind and rain coming down looking at this one.