This file is licensed Creative Commons, By-Attribution, Share-Alike.
20240422_0008.CR2 (18.8 MB)
20240422_0008.CR2.xmp (20.0 KB)
This file is licensed Creative Commons, By-Attribution, Share-Alike.
20240422_0008.CR2 (18.8 MB)
20240422_0008.CR2.xmp (20.0 KB)
I would try to bring out the sand and the grass to build out a gradation on the texture without affecting the orange glow of the sunset
20240422_0008.CR2.pp3 (15.2 KB)
Another stab at it with DT, with the same thought process. Which is better?
20240422_0008.CR2.xmp (14.0 KB)
it was strange doing this one, I used colour zones first to boost the blue in the sea but when I selected it with the eyedropper it decided it was orange, so I used the colour sliders in sigmoid to remove red and green instead
Here is my version. I used darktable for a linear export and white balance at 5000K, and then I applied a film simulation of Fuji Provia 100f positive film.
so i downloaded dt 4.7 to try the colour equalizer, pick the sea with the picker, drag the line down towards blue…
Lowly basecurve again showing a couple of versions
… Relative and Perceptual and then adding DorS on the third one…
20240422_0008.CR2.xmp (18.2 KB)
Thank you all for your versions. I always learn from all of you.
With your permission, I have made another version…
20240422_0008_04.CR2.xmp (26.6 KB)