In scene referred it’s not quite like that …values often exceed 255 and many of the tools have a fulcrum slider to maintain white or gray as defined by exposure… only after the tone mapping step are the data confined in such a way
In scene referred it’s not quite like that …values often exceed 255 and many of the tools have a fulcrum slider to maintain white or gray as defined by exposure… only after the tone mapping step are the data confined in such a way