Hello everyone,
my name is Alejandro Maestre . I am a photographer, forensic expert specialized in digital and multimedia evidence analysis, CIO and co-founder of Probatia Forensics , and president of the Spanish Association of Scientific and Forensic Imaging .
My professional work is located at the intersection of photography, scientific imaging, digital evidence, technical documentation and forensic analysis. I am especially interested in imaging workflows where the photograph is not treated merely as a creative or aesthetic output, but as a source of information, measurement, documentation or evidence. In those contexts, the way an image is captured, processed, exported and preserved becomes critically important.
I am currently developing an open-source project called ProbRAW . The goal of the project is to build a RAW/TIFF processing environment focused on reproducibility, traceability and technical auditability . ProbRAW is not intended to be another general-purpose creative RAW editor. Instead, it is being designed as a controlled processing tool for scientific, forensic and cultural heritage photography, where every relevant processing decision should be explicit, repeatable and reviewable.
Some of the main technical ideas behind ProbRAW are:
- reproducible RAW-to-TIFF development;
- non-destructive, parametric processing recipes;
- ICC-based color management and session profiling;
- support for controlled workflows using color targets and calibration references;
- preservation of processing parameters alongside derived files;
- generation of technically documented TIFF outputs;
- hash-based traceability of source and derived files;
- sharpness and image quality analysis using methods such as ESF, LSF and MTF;
- future integration of provenance mechanisms such as C2PA manifests;
- a workflow suitable for forensic, scientific and cultural heritage documentation.
One of the key principles of the project is that a processed image should not be a âblack boxâ result. In a scientific or forensic context, it should be possible to explain how a TIFF derivative was obtained from a RAW file, which parameters were applied, which color profile was used, whether sharpening or noise reduction was introduced, and whether the resulting image remains suitable for interpretation, measurement or evidential use.
I am particularly interested in discussing questions such as:
- How should RAW development be documented in scientific imaging?
- What is the most defensible way to combine ICC/DCP-style workflows with reproducible RAW processing?
- How should sharpening, denoising and tone mapping be limited or documented when the image may later be used as evidence?
- What metadata and provenance records should accompany a derived TIFF file?
- How can MTF/ESF analysis be integrated in a way that is useful but not misleading?
- What practices from scientific imaging, cultural heritage imaging or forensic imaging should be considered essential?
The project is still young and under active development, so my main reason for joining this community is to learn, receive critical feedback and discuss methodology with people who have deep experience in RAW processing, color management, scientific imaging, microscopy, macro photography, digital preservation or forensic documentation.
I would be very grateful for any comments, criticism, references, technical suggestions or methodological concerns that could help improve the project.
Project repository:
Best regards,
Alejandro Maestre