on some old RAW images that I’m editing with darktable, I notice that the highlights are gone. When I compare them with my old edits in capture-one I see that the information is there. For example:
How about something like this?
The key is to not use highlight reconstruction with clip highlights. Set it to reconstruct in LCh or disable it altogether (but then you’ll have to deal with the magenta highlights e.g. in filmic).
Because the reconstruct there is meant to smooth over blown patches that are causing issues, not to bring detail that is in the file back into visible range.
If the data is there you just need to play around with the white-ev slider , and if it ends up to flat add some local contrast.
Or… Use the tone equalizer with the mask set low enough they you can control that patch , and lower the tones there.
Or… Lower overal exposure and then use tone equalizer to bring it all up except the extreme highlights.
I did not look at the raw, but your darktable result has more contrast than the capture one result. Contrast pushes your highlights to be brighter, maybe you can try to reduce contrast in filmic to get a result closer to what you got with capture one.
And we mustn’t forget @Pascal_Obry doing all those PR review/merge, without that there would be nothing. I’m constantly amazed how much he gets through.
