I don’t think I’ve ever done this before. But I’d like to see how people process this one. First my attempt:
and here is the raw:
AAA_8189.nef (13.8 MB)
This file is licensed Creative Commons, By-Attribution, Share-Alike.
I don’t think I’ve ever done this before. But I’d like to see how people process this one. First my attempt:
and here is the raw:
AAA_8189.nef (13.8 MB)
This file is licensed Creative Commons, By-Attribution, Share-Alike.
Hi @Colin_Adams,
Thanks. Much oompf in this UFO. Here is my attempt:
Have fun!
Claes in Lund, Sweden
i did two renditions one in rawproc and the other in vkdt. First, rawproc:
And now, vkdt:
I used my Nikon Z 6 color profile in the rawproc version, vkdt used the rawspeed-supplied matrix, I guess. In both, the only manipulation was to introduce lightness and contrast with the respective filmic curves, then a roughly equivalent crop. Oh, and a denoise.
This is the best illustration of color difference between a matrix and ssf profile I’ve seen yet; greens are ‘greener’ with the ssf profile.
cool! of course now i need to show another vkdt render. created an input profile from dcp (camera neutral) via vkdt-mkssf
:
though in your render it mainly looks a lot darker? maybe increasing the light
in the film curve would make it more similar?
Yeah, I did mess with light a bit, but didn’t spend any time making them equivalent.
I love the software, though. Speedy-quick; in rawproc I had to switch out my nlmeans denoise for wavelet after the posted image; it was just taking too long…
In vkdt I can get the greens “greener” with the white-green slider in the color module; a lot easier than making a ssf profile from scratch…
Thanks for the Play Raw! Nice catch.
I decided to make this my first play raw attempt using vkdt… jumping on the bandwagon.
I’m finding it very interesting - feels a little bit like a stripped out race car, very fast but not many creature comforts. Whereas in comparison, darktable feels like a… not a Rolls… a comfortable, reasonably powerful station wagon! Mercedes maybe.
AAA_8189.nef.cfg (3.0 KB)
AAA_8189.jpg.out.pp3 (13.6 KB)
I describe darktable to my photography students as a Lamborghini where you can even rebuild the engine and gearbox if you like. Definitely the car to take for a drive on the weekend. In comparison I describe Lightroom as the automatic car that is great for driving around town and for the grocery shopping to get the job done quickly, easily and mindlessly.
Another version using dt 4.2.
I think that’s a good analogy! I think it’s just that vkdt is just more at the development stage, combined with me being unfamiliar with it, which makes darktable seem much more comfortable
This is a great shot and you should be proud of catching this dragonfly with such good focus and so close up. Being well exposed made it a breeze to process. Also the blurry green background made it easy to apply extra denoising in the green regions using a parametric mask and the diffuse or sharpen module.
I prefer the vkdt version
This is a routine shot for me. I specialise in dragonflies in flight (and this species - Aehsna grandis in particular.) Distance was probably 4 metres.
I haven’t tried using a parametric mask to separate the background. I thought the hues are normally too similar. I normally use a drawn mask around the dragonfly, for sharpening, and then invert it for smoothing the background.
Normally I crop the dragonfly tight. But in this instance, I tried concentric ellipses to rotate the background hue, to obtain a sort of colour-vignette.