Interesting, I haven’t run into that in rawproc. However, I’m doing a rather wonky workflow with regard to color management right now; I work the data in it’s original colorspace, and do the camera → output transform when I display or export. No working profile. Seems to work okay… 
That’s interesting…
Not being familiar with the dt pipeline or the input/output peculiarities of its operators, my surmise is that you have > 1.0 values after setting exposure, and the LUT-based color transform is clipping anything > 1.0 before you have a chance to recover it in a later op.
I think this I think points out a fundamental difference in what I do in rawproc vs. dt; I don’t use an exposure tool to set midtones, then curve things back in bounds; I keep the data between 0.0 and 1.0, and curve it to look nice within those bounds.
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Hello István, thank you for sharing, i love the scene and colors and really enjoyed working on it.
I tried to bring attention to the people, while also retaining the space around them.
I made the edit in Darktable 3.4.1
2020-06-21_15-09-39_DSC_0152.NEF.xmp (71.8 KB)
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Nice overall edit/crop, but I particularly like the sky in this one. A lot of edits, including my own, have skies that are too sharp/detailed. This one looks just right to me.
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Looks quite stormy! 
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Slightly different edit, inspired by @Thomas_Do #1
2020-06-21_15-09-39_DSC_0152_01.NEF.xmp (21.0 KB)
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