Thanks, for the picture!
DSCF2588.RAF.xmp (19.6 KB)
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vkdt with a bit of extra log space lifting
…in fact maybe i had a bit much contrast, i think i like this one better:
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Beautiful, thank you!
I tried playing with vkdt, but
[trougnouf@d]: /usr/share/vkdt>$ ./vkdt -d all ‘/home/trougnouf/Pictures/ITookAPicture/X-T1/2019/07/Laponia/172_FUJI/DSCF2588.RAF’
[ERR] module burst has no connectors!
[gui] vk extension required by GLFW:
[gui] VK_KHR_surface
[gui] VK_KHR_xcb_surface
[qvk] error VK_ERROR_LAYER_NOT_PRESENT executing vkCreateInstance(&inst_create_info, NULL, &qvk.instance)!
[ERR] init vulkan failed
[ERR] failed to init gui/swapchain
That might be an issue with mesa20 (arch), I will wait for a vulkan/mesa update.
My version:
DSCF2588_01.RAF.xmp (13,6 KB)
For me the green trees and water in the foreground were important.
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GIMP. I treated the sky separately with a selection. Also tried to give a little emphasis to the reflection in the water.
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Nice shot, Thanks for sharing My take DT 3.0.1 based on Auto-filmic Aurelien dtstyle DSCF2588_01.RAF.xmp (10.6 KB) + Color/Exposure tuning
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The image must be fake… I can’t see any mosquitoes 
(I’m from the ‘area’ but you have to follow the water quite a few km downstream)
You have an interesting order in which you apply the modules. Noticed that in your other video (can’t find it any more) as well.
Is that on purpose and if so why?
Example: velvia/vibrance early and lens correction very late. My intuition tells me that lens correction influences the lightness, especially on the edges and should be done as early as possible.
Thank you! I really like how simple and effective your process is (there are no masks or stacked modules). How did you come up with this tone curve?
Thanks!
I used curves in LAB in order to increase color saturation. You can read the details here and here. Instead of curves the color contrast module can also be used for that.
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