recommend FF 50mm used kit

I got back into photography as a hobby a few years ago with a micro 4/3 camera. Previously I did not shoot primes, now I learned to love them. I also realized that 50mm is my favorite focal length, I could go on a 3-week trip to an exotic location with a 50mm lens with no regrets.

I love micro 4/3 for portability, but what I occasionally want is serious background blur. I am thinking about getting into full frame again (which I shot last time in the days of film cameras).

Specifically, all I need it a full frame body + a 50mm lens, around f/1.7. A bit wider lens is ok to, up to 40mm. At least 16 Mpixels would be nice.

The emphasis is on price and compactness. What I do not specifically need is IBIS, extraordinary dynamic range, latest AF, or a mount with a future, I am OK with phased-out 10 yo tech. I am OK with both DSLR and MILC, though I am happy to pay a not-so-large premium for a smaller MILC.

The benchmark is a Sony A7C(i) + a Sony 50mm f/1.8 lens, this is about 1100 EUR used. I thought DLSRs would be cheaper, but full frame DLSRs hold their value very well apparently, then I would rather get a recent camera for the same price.

A Canon EOS 5Diii would be about half the price, and would still be nice.

Anything I missed in between?

When you’re quoting focal lengths here, are these all Full-Frame equivalent focal lengths? Because a 40mm full frame lens will have a much wider field-of-view than a 50mm MFT lens.

Z6 + Nikkor 50mm 1.4 Z (I heard this is a great lens).

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I recently bought a used 5D III for around £400 and have been using it exclusively with a cheap Canon EF 50mm f1.8 and have been getting some beautiful and very sharp pictures. For the price I think it’s fantastic.
It is a heavy and bulky body though, so perhaps doesn’t meet your criteria. The lens is light though.

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Yes. Again, I am looking for an FF body :wink:

The author of this blog post makes a case for the Nikon D700 and one or two primes (once you get past the rant about the GR III and GR IV).

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The Nikon D610 is not too large (840g vs the A7c’s 510g), IMO underrated, and US$420 – $480 used at B&H.

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Z5 goes for €750 and Z 50mm f/1.8 is €350 over on MPB. It’s a bit pricey, so alternatively you could get a Z 40mm f/2 at €190, which will also make the camera more compact.

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This lens is fantastic though and I highly recommend it.

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Yes I’ve heard very good things about it, some call it the best in class.
There is like 4x more expensive f/1.2, but in the shared f-stop range it performs almost the same

I was referring to your earlier comment about your “favourite” lens on MFT being 50mm and it wasn’t clear you actually meant 25mm (50mm FF equivalent FoV).

Got it now :slight_smile:

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I’ll put in a good word for Nikon D800. I bought mine in 2013, and use mostly manual-focus AI-S lenses. Certainly not state-of-the-art, and I suppose the classic F-mount is now considered a dead end, but plenty of lenses are available, eg from MPB.

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The thing with 50mm is that you can hardly go wrong.

Unless you have specific body preferences just go with what deal you can find in the time frame you find acceptable.

I would recommend getting a f1.4 though to fully be able to experiment with dof. Get whatever camera is fixed to a 50mm f1.4.

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how about a panasonic s5? they did a lot of “free 50mm” promo’s with this one so you might find a kit somewhere for a good price

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I have looked at all the great suggestions in this topic and this is the closest to what I am looking for.

I think that the current generation of 50mm f/1.8 lenses (from Sony, Panasonic, Nikon, etc) are fantastic, but freaking huge; I have been to a store and handled the Nikkor. I would rather get a small f/1.8 lens, even if it is optically not the very best possible. I am willing to make small compromises.

f/1.4 lenses are even bigger and more expensive.

As much as I like Panasonic, I think that in the case of the S5 I would be paying for the video capabilities, which would not use. I think I could get a camera with much better AF for the same price.

A7C + the 50mm Viltrox perhaps:

You’ll probably not find anything smaller at below f/2.4 than the 40 mm TTArtisan:

If you don’t need something that’s optically perfect it seems like a good option. One of my favorite lenses is my Samyang 45 mm f/1.8, but it’s not as small.

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50mm f1.4 lenses are tiny when older DSLR designs. Most have a nice range of looks depending on f stop. I argud that the spherical aberration etc wide open is more a feature than a bug considering it disappears when stopping down and gives access to a range of looks in one lens.

DSLR bodies aren’t as huge as some imagine and the flange distance give design advantage for 50mm (disadvantage for wide angles).

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I have an old Nikkor 50 mm / 1.8 lens, and it’s not large at all. Has no motor, freies in the body too drive it. It’s soft wide open, but very sharp when stopped down just a bit.

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The Z lens above is likely much better corrected but as we know from cinematography well corrected isn’t always better. It depends on what look you’re after.

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Can’t edit my post but I looked up the weight and it turns out the Z-6 III and the D600 weigh exactly the same! 760g according to my first search engine results.

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