I found this picture a tricky one to deal with with the sunlight behind the building. I used the tone equalizer to lighten the shadows in ART, then added some localised masks to add contrast to the brickwork, darken the road and darken the sky.
I have included a colour and a black and white version. These 2 versions are snapshots in the arp file.
I will be interested to see what you come up with…
(Note I used a dcp colour profile from adobe camera raw as there is no dcp inlcuded for my camera in RT or ART, so your colours may differ slightly to mine if you don’t have this profile on your computer)
I am also trying to convert step by step to the new linear RGB worflow. In general, l start now with filmic rgb and use sometimes after that the tone equalizer and/or an RGB tone curve. But hey, I do play raws just for fun and use what ever I find convenient after that. I hope that I will soon be able to abandon my old habits and use (almost) only linear modules.
Thanks for all your attempts so far. This was a late afternoon in winter in the UK with a low watery sun, and I think @srgmro has captured this well, along with several others. I also like @sls141 sinister gothic alternative!