Take two of mountains and farm after sunrise.

I’ve taken this shot before on a previous visit to the town of Fernie, BC, but I wanted to try it again during my recent trip back there.
I got really lucky with the weather that morning as it was raining pretty sporadically throughout the trip. I think I’ve used a couple of masked color RGB 4 ways, or exposure in this…can’t remember.
But I’d like to see what you can do with it. No limits to interpretation or software. Have fun with it if possible.

This file is licensed Creative Commons, By-Attribution, Share-Alike.


_DSC5510 (2).ARW.xmp (24.5 KB)
_DSC5510 (2).ARW (23.8 MB)

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ART with spektrafilm to keep the scene more or less natural:


_DSC5510 (2).ARW.arp (50.8 KB)

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20260514_0657_5510.arw.xmp (9.6 KB)

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Nice one, fun to work with…

Hope you like this one too.

Regards Jetze


_DSC5510 (2)_01.ARW.xmp (7.5 KB)

  • new color balance on the whole picture
  • bit of tone eq bringing down the highlights
  • exposure in multiply and with mask to enhance sky
  • second col.calib. to enhance colors
  • contr eq to sharpen foreground
  • col eq to enhance yellows
  • some extra loc contr
  • bit of col.bal.rgb
  • frame
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Tried to keep it simple.


_DSC5510 (2)_RT-2.jpg.out.pp3 (18.8 KB)

I wondered why the camera WB was so yellow. Maybe because the scene was taken during sunrise somewhere behind the clouds? Anyway, it doesn’t look too bad


_DSC5510 (2)_RT-4.jpg.out.pp3 (18.8 KB)

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Replaced with an improved white balance version as suggested by @Terry (I didn’t do it the same way as he, though).


_DSC5510 (2).ARW.xmp (8.7 KB)

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I’ve noticed many of my edits lately have what I can only refer to as a ‘piss yellow’ tint.
I may have manually set my camera WB some time ago for some reason or another. I’ll check next time I’m out.

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A nice image to play with. The WB threw me off initially. I disabled the color calibration module and and just used the WB module to auto sample the scene. I preferred that result.

I then activated the color calibration module and set it to bypass and used the module to adjust brightness levels of the channel. I got this idea from a recent Playraw on this forum and thought this image lent itself to the experimentation with the CC module. I found it a useful way to lift the brightness of the green grass without washing out the whole picture.

_DSC5510 (2).ARW.xmp (17.9 KB)

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You’re right. I need to re-do mine. Thanks.

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_DSC5510 (2).jpg.out.arp (12.8 KB)

_DSC5510 (2).jpg.out.arp (12.8 KB)
_DSC5510 (2)-1.jpg.out.arp (13.5 KB)

Couple quick ART edits…

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_DSC5510 (2).arw.xmp (19.0 KB)

Hazy mountains are a challenge. Tried reducing blues inside a mask.

Thanks for the play!

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Now, that I know, that the colours are off anyway :stuck_out_tongue_closed_eyes::

_DSC5510 (2).ARW.xmp (19,8 KB)

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A more serious one:


_DSC5510 (2).ARW.xmp (15,6 KB)

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Did you mean serious mood in the result or in your intention or maybe both?
Like the result though!
Kind regards, Jetze

I meant my intent. On the first one I was just playing around. The second one is one in the way I usually develop.

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Nice one,

though the results mood is serious as well, the yellows are even a bit on the gloomy side and the streak of sunlight in the distance hardly shines…

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Here’s mine.

Rather low-key.

I split it in three using darktable ai masking and then used Colour Balance RGB.

I thought of making the greens less yellow. But then I thought that maybe this was sunset lighting so I didn’t

_DSC5510_01.ARW.xmp (143.5 KB)

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The thread title specifies that it was taken “after sunrise”.

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Dyslexia strikes again! :rofl:

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Worked with Ansel:

How beautiful… The impending storm caused the colors to become slightly desaturated (this often happens before a storm). To clarify: Don’t confuse this with the fact that colors become saturated after a storm, but not before, when the scene’s brightness level is usually reduced by the storm clouds.

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