I’m not sure I totally follow…
You should be setting your display profile which you find at the bottom of the RT window to either a calibrated ICC which it does not sound like you have or the one provided by the manufacturer of your monitor to be sure to get the right black point correction…

Using the Adobe profile for input for example you would then see something like this

This would be using all the options of the DCP file and ProPhoto for your working space ie a nice wide gamut and exporting with the srgb profile shown at least by default…
If you use the tone curve in the DCP file you would turn off the tone curve in the exposure settings…
Curve 1 would be linear or a custom tweak but not the automatched one.

You could turn off the DCP tone curve and use RT’s matching TC but then you would have to decide on what fitting model gives you the best colors from these options…

Or if you didn’t like the Adobe colors you could use the RT curve and the RT profile.
One other combination might be to use the Adobe color but not the tone curve and add your own custom tone curve…
I know a couple of times you mentioned that you had nothing activated but the initial pp3 that you provided did load with the automatched tone curve using the filmic variant so it was not fully neutral on tone and color… I guess I should go back and check…
The bottom line is as @Lawrence37 mentioned you need to be sure that you are using correct and consistent profiles in all the software that you use or you are simply chasing your tail with adjustments…
Edit…look at your video…at min 1:19…you have the automatch tone curve enabled…as it is by default unless you load using the neutral profile…This will alter tone and color in your image but still the DNG I don’t think coming from DXO is offering the right white balance or some other tag as would be normally handled with a regular DNG …
Later you show the first instance of the flower and then you do a sort of reset by selecting the neutral profile but when you jump to the second one you have the auto tone curve on…you need to go into the exposure and experiment with the models. They impact the color dramatically…its this or as I mention above turn it all off and go full Adobe…
Edit 2
You can see here that by default unless changed RT will open with iso matched automatched profile and using the filmic variant… Notice then I cycle through the options… You can see the yellows change. Finally I go to neutral…now this is with everything “off” dark and dull as expect as there is no tone curve…from that you can go to Color management and try the Adobe version…There is some mouse movement selecting the canon profile but the video doesn’t show the dialog boxes …in any case this is what I am talking about how you can have different results for your colors esp gamut sensitive ones like yellow with these options… And this still doesn’t change the need above to get your color management in order…