Bit crazy. Bought an immaculate looking 4.18 megapixel EOS 1D Mk1 with shutter count of 10,000 on MPB for 175 pounds just to see what it would be like (I can send it back). Made quick comparison shots with 6D Mk1 with some limited exposure editing. 1D light meter seems to substantially underexpose and it outputs RAWs as TIFFs. In case of interest, here’s the files:
The TIFFS are 1D, the CR2s are 6D. Also took some other 1D shots where the sky is a bit blown that can post if there’s any interest…
I bypassed color calibration in all shots but yes the 6D looks too pink in the car. When I use the picker to adjust it now and turn down the chroma adjustment it removes the pink and looks closer to the 1D. The grass looks pretty rough in the 1D. I’m not sure if the meter is off or it biases to avoid blowing out the highlights. It’s much easier to lift the shadows than to deal with the blown out sky, though it goes a bit mushy.
Sky is blown in this example. I think the 1D is flattered in some examples because the lack of dynamic range means you have no choice but to produce contrasty images, which may give the impression of sharpness.
20230124_0002.TIF.xmp (14.6 KB)
Interesting that dt recognizes it as a raw file and turns on filmic (in the scene-referred workflow that is) even though it’s a tiff. Shadow dynamic range doesn’t seem too bad surprisingly, usable anyway. The files do give the impression od having been denoised in the camera… maybe it does it in hardware? Don’t know!
Here’s my versions of the other two files: all dt 4.2 with sigmoid.
Yes, interesting. I was going through the menus and think I saw some denoising option. I think it was turned off but better check. I’ll also try some exposure bracketing. The default meter seems quite dark but then the highlights are quick to blow and the software to recover highlights wasn’t available at the time, I guess
I guess the limitations, such as they are, can be useful or aid in considered photography. Not much point chimping and you can’t just shoot something with huge dynamic range and hope to retain both the shadows and the highlights. But bloody hell it’s heavy