I think the trick is to keep the window view quite bright. Otherwise ist will not look natural. Even in your HDR version there seemed to be clipped parts (sky).
Clipping outside is generally fine. You basically have to bleach it away because it wonât look natural otherwise. As long as there is some detail left itâs usually workable. Saying that most real estate stuff (sales) looks completely through and through unnaturalâŚ
If you shoot architecture rather than real estate itâs a super tricky fine line. Iâve not really been happy with my bracketed hdr results. Going on a shoot tomorrow and have been mulling over what to do about the windows This time it matters because whatâs outside the window is critical. Thinking I might go very early to limit the contrast between inside and outside.
edit: for some shots where the dynamic range of my camera (which is pretty good) is enough in one shot I still find I have to over expose the exterior to make it look natural. Because if i lift the interior and leave the exterior as shot you get the effect of your first screenshot.
What did you suggest to improve the HDR ârawâ? Take more exposures or increase the âspaceâ between them (-3Ev; 0Ev; +3Ev)? A different approach?
I have no clue.
PS: I have learned a lot from your videos! Thanks!
At least take a whole hunch of shots starting at - 10ev and go up in steps of 2 EV till you are at like +6. At least you have room to play later, because if what s7habo said is true, you basically still overexposed all your shots.
It helps to have a laptop on shots like this so you can take a single shot to load directly into a program to show you raw histogram or flag raw over exposure. Go so low as you have to (always sticking to your base ISO) so you donât clip your raw data.
Since most modern cameras can give you a clean picture if itâs underexposed by - 4ev, I imagine you donât even need to merge shots to create the look you want. If you want to feel safe, go up by +2ev a couple of times to take extra shots for dark areas.
But itâs really hard to know when you are clipping your sensor, without looking at the data in he raw file. And you thought that what your camera would show as - 2ev would be safe. You were wrong, sorry :(.
You could keep the final result natural by using things like filmic, or go nuts with local contrast. Or mask the windows and use different exposure compensations (one for the whole image minus windows, then one for the windows). This gives you that real estate âout of the window lookâ. (lots of real estate shots just replace the windows or sky even, donât forget!)
If this is real estate, the photos, at least here in the US, never look real.
My advice for capturing is:
Turn on all room lights
Bring an off camera flash and use it as all fill light
Bracket, as youâve done, but make sure there is no clipping in the darkest and lightest shot. You may need more shots than 3 at 3EV apart. In that case Iâd go to 5 shots at 2-3 EV apart.
I tried to properly expose an underexposed picture (-4 EV) and ended up with too much noise. I tried to get rid of it with contrast equalizer, since the denoise (profiled) doesnât recognize the ISO value, but with no success.
The only problem that could arise would be if the internal light of the lamp has a different color than the light from outside. This could make the white balance more difficult. But that can be corrected.
Iâm not sure yet! Will see what the conditions are like.
Itâs most important that it doesnât look tacky though so hopefully I can limit the dynamic range by going early in the morning. I donât have to do the super bright interior either so I can hopefully achieve a bit of a balance. Iâm thinking I pick the time so that the things outside arenât hit by strong direct sunlight. Iâm not sure if it will look to dull though⌠Then I just do a flat at the other side of the building. Some are above the surrounding city so again Iâll try to pick a view to manage dr. Iâm not describing specific flats but the building so itâs a different thing.