I was recently visiting Boston, and as I always do, I spent my weekend at the Museum of Fine Arts, which was running an Alfred Stieglitz exhibition at the time. On my way back to the hotel, on an otherwise moody day I snapped the following:
@jinxos, what a pleasure to work with this image. Due to your fantastic lens, camera combo and the perfect exposure at the sweet spot of f8, one can do practically anything and the image is still great!! I mean, you can count the number of rivets on the iron pillars on the jetty and get so much detail from the cabin on the bridge
Any case, here are my attempts from RT. A slight crop so that top one third line is on the rooftops of the buildings in the background. Cheers mate! 20171009_0181.jpg.out.pp3 (12.1 KB)
@Thomas_Do Thanks for keeping the old version for people to compare. There is a bit of haloing at the edges but it is much better than the stretch marks .
@stonefree The vignetting certainly ups the moodiness of the already moody day.
@shreedhar I prefer the b&w but I noticed that it lost some of the detail that is only present in the color version.
Thanks to everybody that commits and participates and thank you Dimitrios (what a cool name) @jinxos not only for the raw but for the challenge; I’m not sure if I knew Alfred Stieglitz… some photos I do recognize but I don’t think I did
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Research material = some of Stieglitz photos, I love Okeefe (she was a sexy lady ) series. research_material.zip (25.5 MB)
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RT and one of Morgan’s “pressets” (if I’m not mistaken from the luminar thread) ever so slighty modded:
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I did a couple itirations in (still free) Analog Efex Pro (from nik, no no google, I mean dxo). Here’s presset from first one… second I just added more spit and dirt
@jinxos I am glad that you were inspired by the exhibition because we have a nice PlayRaw to tinker with now . I also enjoy your post-processing.
Here is my take. I decided to go the sepia but subtle route.
photoflow
a) hot pixel and lens corrections, linear ACES with negative clipping
b) careful perspective correction, crop (approx φ, gcd=8)
gmic
a) generate image from L* (D50)
b) local contrast (foreground < background), nonuniform sepia
c) curves to brighten shadows, mid-tones and increase contrast
d) prep for your viewing pleasure
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