The problem is, I just noticed, that this specific profile is not part of the latest RawTherapee (I think I got it from ART). So you need to do the following first:
Download and place this file: SONY ILCE-7SM3.dcp (63.8 KB) into the directory shown in the above screenprint (on Linux it says: opt rawtherapee dcpprofiles as shown above. Not sure what it is on a mac).
Once that is done you might have to restart RawTherapee, not sure. If it shows up in the list, you can now select it.
Hope this is clear enough, if not: Donāt hesitate to ask.
Thank you Jacques, it works.
itās just not easy for me to understand why I have to readjust the black point correction when I use the right DCP profile of the cameraā¦I clearly lack theoretical knowledge about this workflow.
Iām not an expert, but I do believe that the Raw Black (and Raw White) points are part of the demosaicing steps and they are not part of the colour profiles. Iām sure that Ingo, being RTās demosaicing man, will correct me if Iām wrong about this
In any case, if you want us to improve camera support, the minimal thing you can do is to take the following shots and share them here.
Completely black (lens-cap on), lowest ISO, aperture irrelevant, shutter speed ~1/10 s
Completely white (against bright sky for example), lowest ISO, aperture irrelevant, shutter speed (long enough to overexpose, but not more than 0,5 s)
For more refined support, please read the linked articles and provide the mentioned shots as well.
This is true: the raw black and white are a sort-of scaling factors that need to be applied before you can even think about having a properly working DCP profile.
Just FYI you can set these two things once. Save a partial profile (ctrl+click on little floppy disk icon top right) and tick checkboxes corresponding to colour profile and raw black point before saving a profiles. By going preferences > dynamic profiles you can then chose this profile to be applied automatically to your camera. You need to type exactly the cameraname the rawtherapee info box gives you in the editor.