Hello All,
this question is for Pentax users.
I notice a big difference in the lighttable preview and the image I get when I open darkroom for editing: dull, darker.
I guess it depends on how the default Base Curve is set.
If I set Preserve Colors=none, and Fusion=two/three exposures, it comes nearer.
Do you experience the same?
Thanks for your comments!
-Gian
The lighttable preview is merely the embedded jpeg thumbnail (identical to the OOC jpeg). A raw file by nature looks dull, dark and flat - ready for you to work your magic. Thatâs the whole point of raw to begin with.
What, in camera, JPEG settings do you use?
I donât know about the MkII, but with my original K1 with Base Curve set to âPentax-Likeâ, I get an image that is a little brighter with less saturated colours. Perhaps the Mk_II isnât being detected properly and itâs not auto-applying the âPentax-likeâ curve?
Here is a quick test I did; original thumbnail on the left, basecurve on the right.
My settings are âauto-apply pixel workflow defaultsâ to ânoneâ, and âauto-apply chromatic adaptation defaultsâ are âmodernâ.
To test, I imported the image, duplicated it and went into the darkroom for the one on the right. I enabled basecurve module and selected the preset âPentax-likeâ (it wasnât detected by default, but it might only do that if youâre using display-referred workflow - I think the last time I used basecurve was with my K5.)
If you want to use the display-referred workflow (I consider it a good choice for people who are new to darktable), Iâd recommend that you make sure that the basecurve module is correctly picking the right preset.
I strongly recommend the modern, scene-referred workflow: you donât have to worry about blowing highlights when editing, for one. I find it way easier to use, and all the new tutorials use it, so thereâs more (recent, high-quality) info about it than the legacy display-referred one.
Pentax K-1 II from https://raw.pixls.us/getfile.php/3345/nice/Pentax%20-%20K-1%20Mark%20II%20-%2014bit%20(3:2).DNG
Embedded JPEG extracted with dcraw -e filename.DNG
Raw file with Base curve set to Preserve colour: None
Raw file Filmic + Local contrast + Color balance
Filmic.zip (2.1 KB)
I second this, especially for new users. If you start by using display-referred workflow, you will need to unlearn a lot of stuff when moving to scene-referred. And you will move, because scene-referred editing is much more robust and predictable.
The filmic results are quite odd and have a sort of pastelly over saturation. (Impossible but what I see
Disabling all the clever stuff in the filmic module usually improves things. (Mid tone saturation, hue )
Not just a non color managed browser? Loaded the sidecar file and the raw file?
The middle tones saturation slider is no longer the suggested way to handle colours; in 3.6, itâs already set to 0. See the manual.
If by âhueâ you mean preserve chrominance, I find disabling it hardly ever improves the image. This might be a question of taste, though.
The link of the DNG file actually points me at a TIFF.
Replace .TIFF with .DNG
Always gives me an issue when downloading files from raw.pixls.us with Firefox.
Ah. Why all this magic? Changing the extension of the DNG, zipping the XMP?
Not my choise. At least not with DNG. You can try download from raw.pixls.us and check yourself. CR3 becomes MP4, DNG, CR2 become TIFF.
Weird, I have no such issues, neither on Windows nor on Linux.
Anyway, if you find the image overly saturated, maybe you should process it differently. Your XMP contains a saturation boost in color balance, plus in mid-tone saturation in filmic. Thatâs hardly the default look.
This is how the 3.6 default looks:
Turning off exposure (it seems we donât need to correct it to get what your out-of-camera JPG looks like):
So why did you see .TIFF?
I didnât. My target was not to imitate the JPEG with the last Filmic print screen but to show a picture with more colour and better highlights. In camera JPEG was a bit pale.
Hmm. Strange. I have never experienced it. Using the same browser and OS (Firefox on Windows) I can get the DNG without a problem from this post: Revealing more refined details using RT (a random example) â it does have a lower-case extension, though. However, using Chrome (Brave, actually), the link in your post really points at a file with a DNG extension. Weird. @patdavid, any idea?
Anyway, if you find the image overly saturated,
I didnât. My target was not to imitate the JPEG with the last Filmic print screen
[/quote]
Then sorry, my bad: I misunderstood.
Download a raw sample from https://raw.pixls.us and try.
If you start by using display-referred workflow, you will need to unlearn a lot of stuff when moving to scene-referred. And you will move
If someone is new to RAW processing and gets discouraged and quits because they get a washed-out photo as soon as they go into the darkroom, then they wonât move because they wonât start. Theyâll stick with Adobe products, or try other RAW processing software until they find what they want.